Thomas Adès was born in London in 1971. He studied the piano with Paul Berkowitz at the Guildhall School, winning the Lutine Prize for piano, before continuing his studies at King’s and St John’s Colleges, Cambridge.
His early compositions include Living Toys (London Sinfonietta), Arcadiana (the Endellion Quartet) and his first opera Powder Her Face (1995), which has been performed many times around the world. Orchestral commissions include Asyla and America: A Prophecy, the tone poem Tevot and concertos for violin and piano. His Opera The Tempest received its premiere at the Royal Opera House in 2004 and in 2016 The Exterminating Angel premiered at the Salzburg Festival followed by performances at the Royal Opera House and the Metropolitan Opera in New York, all under the baton of the composer. In 1999 Adès started a 10-year relationship with Aldeburgh Festival as artistic director. In 2016 he became the Artistic Partner of the Boston Symphony Orchestra and has conducted the orchestra in Boston, at Carnegie Hall in New York and at Tanglewood. He coaches piano and chamber music annually at the International Musicians Seminar, Prussia Cove.
As a conductor, Thomas appears regularly with the Los Angeles, San Francisco and London Philharmonic orchestras, the Boston, London and City of Birmingham Symphony orchestras, the Royal Concertgebouw, Leipzig Gewandhaus and the Finnish Radio Symphony Orchestra. In opera, in addition to The Exterminating Angel, he has conducted The Rake’s Progress at the Royal Opera House and the Zürich Opera, and The Tempest at the Metropolitan Opera and Vienna State Opera.
Adès has given solo piano recitals at Carnegie Hall, New York and the Wigmore Hall and the Barbican in London, and appeared as a soloist with the New York Philharmonic. He has performed Schubert’s Winterreise extensively throughout Europe with Ian Bostridge and in 2018 recorded it at the Wigmore Hall. In 2018, following a recital of Janácek's music at the Reduta Theatre in Brno, Janácek’s home town, he was awarded the Leoš Janácek prize. His many awards including the Grawemeyer Award for Asyla (1999); Royal Philharmonic Society large-scale composition awards for Asyla, The Tempest and Tevot. His CD recording of The Tempest (EMI) won the Contemporary category of the 2010 Gramophone Awards; his DVD of the production from the Metropolitan Opera was awarded the Diapason d’Or de l’année (2013), Best Opera recording (2014 Grammy Awards) and Music DVD Recording of the Year (2014 ECHO Klassik Awards); and The Exterminating Angel won the World Premiere of the Year at the International Opera Awards (2017). In 2015 he was awarded the prestigious Léonie Sonning Music Prize in Copenhagen and in January 2021 will judge the Toru Takemitsu composition award at Tokyo Opera City.

Kirill Gerstein’s curiosity and versatility has led to an intense engagement with a wide range of repertoire and styles. From Bach to to Adès, his playing is distinguished by its clarity of expression, discerning intelligence and virtuosity. Gerstein’s energetic and imaginative musical personality has taken him rapidly to the top of his profession.
2016 saw Gerstein release Liszt’s "Transcendental Études" for myrios classics which was picked by The New Yorker as one of 2016’s notable recordings. His 2015 release of Tchaikovsky’s First Piano Concerto in the composer’s own final version from 1879 won an ECHO Klassik award.
Based in Berlin, Kirill Gerstein appears world-wide in performances ranging from concerts with the Chicago and Boston Orchestras, the Leipzig Gewandhaus, Royal Concertgebouw, Vienna and Berlin Philharmonics, London Symphony Orchestra and Orchestre de Paris, to recitals in London, Paris and New York. He is the sixth recipient of the prestigious Gilmore Artist Award which allowed him to commission new works from Timothy Andres, Chick Corea, Alexander Goehr, Oliver Knussen and Brad Mehldau. Previous accolades include First Prize at the 10th Arthur Rubinstein Competition and an Avery Fisher Career Grant.
Earlier recordings for myrios classics include "Imaginary Pictures", Mussorgsky’s "Pictures at an Exhibition" coupled with Schumann’s "Carnaval", named by The New York Times as one of the best recordings of 2014; two discs with Tabea Zimmerman of sonatas for viola and piano by Brahms, Schubert, Franck, Clarke and Vieuxtemps, of which the Second Volume received the “Diapason d’Or de l’année 2013”; and a recital disc of works by Schumann, Liszt and Knussen.